When Michael Moore made his recent documentary “Sicko”, he left out a segment because he thought no one would believe it. Now, through the power of the Internets, you can watch for yourself and discover the amazing infrastructure and services in Norway.
Now that’s what secret groups of talented artists and technicians should be doing! According to a Guardian article, a “cultural guerilla” group called Untergunther was recently cleared of charges related to breaking into a Paris monument and fixing its antique clock:
For a year from September 2005, under the nose of the Panthéon’s unsuspecting security officials, a group of intrepid “illegal restorers” set up a secret workshop and lounge in a cavity under the building’s famous dome. Under the supervision of group member Jean-Baptiste Viot, a professional clockmaker, they pieced apart and repaired the antique clock that had been left to rust in the building since the 1960s. Only when their clandestine revamp of the elaborate timepiece had been completed did they reveal themselves.
Can you picture that story as a heist film, something smart like “Sneakers”? It would be so cool…
This is a cute article about how Hollywood gets it wrong yet again. This time with the world of insects and how, well, the social ones are really all female. I mean, must we anthropomorphize even our sexist gender assumptions?
This is probably old news to all of you, but it’s good to get confirmation from developmental psychologists that electronic “educational toys” aren’t so educational after all:
Old-fashioned retro toys, such as red rubber balls, simple building blocks, clay and crayons, that don’t cost so much and are usually hidden in the back shelves are usually much healthier for children than the electronic educational toys, says Temple University developmental psychologist Kathy Hirsh-Pasek.
IGN has a compelling interview with Ron Moore about the writer’s strike and how it affects BSG. It’s an eye-opening piece, to me at least. Suddenly it’s very clear why this is such an important issue for writers:
“I had a situation last year on Battlestar Galactica where we were asked by Universal to do webisodes [Note: Moore is referring to The Resistance webisodes which ran before Season 3 premiered], which at that point were very new and ‘Oooh, webisodes! What does that mean?’ It was all very new stuff. And it was very eye opening, because the studio’s position was ‘Oh, we’re not going to pay anybody to do this. You have to do this, because you work on the show. And we’re not going to pay you to write it. We’re not going to pay the director, and we’re not going to pay the actors.’ At which point we said ‘No thanks, we won’t do it.’”
“We got in this long, protracted thing and eventually they agreed to pay everybody involved. But then, as we got deeper into it, they said ‘But we’re not going to put any credits on it. You’re not going to be credited for this work. And we can use it later, in any fashion that we want.’ At which point I said ‘Well, then we’re done and I’m not going to deliver the webisodes to you.’ And they came and they took them out of the editing room anyway — which they have every right to do. They own the material — But it was that experience that really showed me that that’s what this is all about. If there’s not an agreement with the studios about the internet, that specifically says ‘This is covered material, you have to pay us a formula – whatever that formula turns out to be – for use of the material and how it’s all done,’ the studios will simply rape and pillage.”
There’s a lot more along those lines, so be sure to read the whole article if you get a chance. Moore makes an excellent point: TV is rapidly moving toward being just another Internet service. The studios are trying their best to get paid for Internet distribution, while trying even harder not to pay anyone down the line for it.